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  3.     > Poetic Aims
  4.     > Biography
  5.     > Close Reading
  6.     > Emotion
  7.     > Pattern and Variation
  8.     > Ineffability
  9.     > Sound Work
  10.     > Rhythm
  11.     > Enjambment
  12.     > The Line
  13.     > The Lyric
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  36. Writing
  37.     > First Principles
  38.     > Form
  39.     > Sonnet
  40.     > Identity
  41.     > Self-Expression
  42.     > Memory
  43.     > Sublimation
  44.     > Imitation
  45.     > Avant-Garde
  46.     > Translation
  47.     > Technique
  48.     > Revision
  49.     > Poet-Teachers
  50.     > Professionalization
  51.     > Master of Fine Arts
  52.     > Literary Magazines
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  54.     > Series, Sequence
  55.     > Collections
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  57.     > Writing Conferences
  58.     > Culture Jamming
  59.     > Poetic Practices
  60.     > Moods
  61.     > Depression
  62.     > Meditation
  63.     > Procrastination
  64.     > End Notes
  65. Supplemental Resources
  66.     > General Resources
  67.     > Sources for Online Annotation
  68.     > Podcasts
  69.     > Further Reading
  70.     > Poetry Apps
  71. Writing Experiments
  72.     > 7 Myth Experiments
  73.     > 10 Identity Experiments
  74.     > Aleatory: Cut Up Method Experiment
  75.     > Aleatory: Exquisite Corpse Experiment
  76.     > Aleatory: Exquisite Corpse Opposites Experiment
  77.     > Aleatory: Questions and Answers Experiment
  78.     > Ars Poetica Experiment
  79.     > Automatic Writing Redux Experiment
  80.     > Homophonic Translation Experiment
  81.     > Imitation Experiment
  82.     > Obituary Experiment
  83.     > Oculus Experiment
  84.     > Poetry Life Drawing Experiment
  85.     > Rhyme Experiment
  86.     > Vocabulary Acrostic Experiment

Writing

Like Poetry: A Survivor’s Guide, this companion is only one of many possible companions that could be assembled. In other words, this companion is inceptive and illustrative, not prescriptive and exhaustive. As with the guide, you can begin with any section you like; though, the best way to approach the online material is first to read or re-read the section from the guide.

In WRITING, you will find poems as well as writing “experiments,” a name we prefer to “prompts” or “exercises,” that underscores the importance of trial and error and serious play when it comes to making poems. In some sections, such as MFA, publishing, and professionalization, we also point you to helpful resources or venues for further inquiry.