[1]:  Oskar Werner and Julie Christie as the first snows of winter fall, in Fahrenheit 451 (François Truffaut, Anglo Enterprises, 1966).  Cinematography by Nicolas Roeg.  Digital frame enlargement.

[2]:  Die weisse engel (Laurence Olivier) makes a killing on 47th Street in Marathon Man (John Schlesinger, Paramount, 1976).  With Fred Stuthman.  Cinematography by Conrad L. Hall.  Digital frame enlargement.

[3]:  Woman of the snow in Dreams (Akira Kurosawa, Warner Bros., 1990).  Cinematography by Takao Saitô and Shôji Ueda.  Design by Yoshirô Muraki and Akira Sakuragi.  Costume by Emi Wada.  Digital frame enlargement.  

[4]:  A cuppa at the end of the world in The Bed Sitting Room (Richard Lester, Oscar Lewenstein Productions, 1969).  Cinematography by David Watkin.  Design by Assheton Gorton.  Digital frame enlargement.

[5]:  Leslie Nielsen and Anne Francis bid Goodbye to Altair-4 in Forbidden Planet (Fred McLeod Wilcox, MGM, 1956).  Cinematography by George J. Folsey.  Animation effect by Bob Abrams and Bob Trochim.  Digital frame enlargement.

[6]:  A robot’s (Ian Holm) good luck wish in Alien (Ridley Scott, Brandywine, 1979).  Cinematography by Derek Vanlint.  Makeup by Tommie Manderson and Pat Hay.  Digital frame enlargement.

[7]:  Fanucci (Gaston Moschin) in The Godfather: Part II (Francis Ford Coppola, Paramount, 1974).  Cinematography by Gordon Willis.  Costume by Theadora Van Runkle.  Digital frame enlargement.  

[8]:  Choco butterfly and Jack Celliers (David Bowie) in Merry Christmas, Mr. Lawrence [Senjo no Meri Kurisumasu] (Nagisa Oshima, National Film Trustee Company).  Cinematography by Tôichirô Narushima.  Makeup by Robern Pickering and Antony Clavet.  Digital frame enlargement.

[9]:  Fred Astaire and Cyd Charisse “Dancing in the Dark” in The Band Wagon (Vincente Minnelli, MGM, 1953).  Cinematography by Harry Jackson and George J. Folsey.  Choreography by Michael Kidd.  Costumes by Mary Ann Nyberg.  Design by E. Preston Ames and Cedric Gibbons.  Digital frame enlargement.