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Chapter 11: Of Red


[1]:  The telltale stain in Splendor in the Grass (Elia Kazan, Newtown Productions, 1961).  Cinematography by Boris Kaufman.  Costume by Anna Hill Johnstone.  Digital frame enlargement.



[2]:  The Nile turned to blood in The Ten Commandments (Cecil B. DeMille, Motion Picture Associates, 1956).  Cinematography by Loyal Griggs.  Design by Albert Nozaki, Hal Pereira, and Walter Tyler.  Digital frame enlargement.



[3]:  A red universe in Cries & Whispers (Ingmar Bergman, Cinematograph AB/Svenska Filminstitutet, 1972).  Cinematography by Sven Nykvist.  Design by Marik Vos-Lundh.  Digital frame enlargement.



[4]:  James Dean in Jim’s red windbreaker.  With Ann Doran and Jim Backus.  Rebel Without a Cause (Nicholas Ray, Warner Bros., 1955).  Cinematography by Ernest Haller.  Jacket by Moss Mabry.  Digital frame enlargement.



[5]:  A bloody afternoon.  Jude Law in The Talented Mr. Ripley (Anthony Minghella, Miramax/Paramount, 1999).  Cinematography by John Seale.  Digital frame enlargement.



[6]:  Moment of choice.  The Red Shoes (Michael Powell and Emeric Pressburger, The Archers, 1948).  Cinematography by Jack Cardiff.  Design by Hein Heckroth.  Digital frame enlargement.



[7]:  Hal’s eye.  2001: A Space Odyssey (Stanley Kubrick, MGM/Stanley Kubrick Productions, 1968).  Cinematography by Geoffrey Unsworth.  Design by Anthony Masters.  Digital frame enlargement.



[8]:  A blot of horror.  Marnie (Alfred Hitchcock, Alfred J. Hitchcock Productions, 1964).  Cinematography by Robert Burks.  Costume by Edith Head.  Digital frame enlargement.