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Writing out of Surrealism

For Further Reading

We highly recommend reading these essays and poems we alluded to and quoted from in this chapter:

  • Tristan Tzara’s “Dada Manifesto” and “Lecture on Dada” at Tzara, "Dadaism"

 

More Surrealist Poets:

In this chapter we highlight some of the women who were central to the development of Surrealism in its heyday and who innovated with the principles, extending its reach into our contemporary moment. Most of them did not self-identify as Surrealist, even though we often point to them as early influencers. We also highly recommend you check out other poets, who did consider themselves central to the movement, and decide for yourselves which ones are “more” “Surrealist” (some of these are repeated from above): 

More Contemporary Surrealists

We also recommend checking out work by contemporary poets who have embraced the potent power of dreams, intuition, esoteric spiritual practices, and an approach to political consciousness rooted in the transcendent free play of thought. In these qualities we see the lasting influence of Surrealist on their work: 

  • Sabrina Orah Mark, whose prose story collection Wild Milk is among our favorites, began in prose poetry with Tsim Tsum, which also works as a kind of linked narrative: sabrina-orah-mark 
  • Collaborator, multi-genre threat, and poet Carol Guess
  • Mita Mahato (whose “Extinction Limericks” you encountered in Chapter 1). Read this conversation with her and then go check out her work
  • Nance Van Winckel, whose visual poetics are stunning, along with her wild leaps and moves in verse poems
  • Sarah Sloat, whose visual/ erasure works question gender, identity, and climate crisis, as well as capitalism and other evils